Category Archives: American Television

309 – Kolchak: The Night Stalker – They Have Been They Are They Will Be

Invisible extraterrestrials have come to Chicago to steal our lead and our bone marrow.

Can Carl Kolchak overcome the forces of the US Government to break the story of a lifetime?

Simon and Eugene discuss They Have Been They Are They Will Be.

306 – Kolchak: The Night Stalker – The Zombie

Carl Kolchak investigates the possibility that a member of the walking dead may be killing off members of the Maffia in Chicago.

Simon and Eugene discuss the Zombie.

303 – Kolchak: The Night Stalker – The Ripper

Simon and Eugene launch into our discussion about the follow-on TV series to the TV movie, the Night Stalker.

Carl Kolchak now finds himself a home at the Independent News Service in the Windy City, but it seems no matter where he goes, bizarre murders follow.  Kolchak must investigate a killer that bears an uncanny resemblance to Jack the Ripper.

296 – The Night Stalker

1972 a surprise TV movie became the most-watched TV movie in American history.  Darren McGavin starred as Carl Kolchak, an abrasive investigative reporter who is investigating the story of a lifetime.  A vampire is prowling the streets of Las Vegas.

Simon and Eugene discuss the TV movie that inspired the TV series that inspired the X-files.  Could it really be that simple?


Short Looks 004 : Buck Rogers in the 25th Century – Planet of the Slave Girls

We look at the second episode of Buck Rogers in the 25th Century.


In this Short Look episode review, I’m looking at Planet of the Slave Girls, the second story of the TV series Buck Rogers in the 25th Century.
The Buck Rogers theatrical movie was hastily green-lit as a TV series.  The movie was re-tooled and used as a pilot episode for the series, but what was to become the tone of the series wasn’t entirely in evidence in the movie.
Planet of the Slave Girls, while still early in the development of the character, is the first episode to introduce some of the ideas that would remain through the first series.  It also jettisoned a few ideas from the movie.
In the movie, it seemed fairly obvious that poor, desolated and vulnerable Earth was possibly not even capable of interstellar travel.  Even the Draconian Empire, while obviously interstellar, seemed to rely on large, long-range ships to transport Princess Ardala and her “trade delegation” to Earth.
In the opener of the series proper, Wilma is introducing Buck to the Stargates, unexplained technological devices placed in star systems within the galaxy that allow ships to jump from one solar system to another, making interstellar travel possible and broadening the horizon for future stories based off-world.  Gone, too, is apparently Earth’s formidable and nearly impenetrable planetary defense shield.
Returning to Earth’s solar system, Buck and Wilma are right in the thick of it.  A training flight of Earth Defense Directorate pilots is in trouble from raiders, and one of their members is about to die, until Buck and Wilma step in and save the day, angering the flight instructor, who turns out to be Wilma’s ex-love interest, Duke – a man with a decidedly 20th Century sounding name.
Buck and Duke don’t get along, but Wilma decides that Buck’s unique 20th-century tactical skills would be a worthy lesson for Duke’s students.  A comical fight breaks out between the two in class, which is as close as they can get to pissing on one another on 1970s television.
This represents a few more changes from the movie.  First, it seems that Earth’s Starfighters no longer fly themselves via computer control and that the pilots actually go to flight school.  Second, we’re introduced to the idea that Buck has “special 20th-century skills” that have been lost in the 25th century, such as Judo, tactical training and knowledge of football.
While that sounds counter-intuitive, I’m OK with the idea.  The Earth was nearly destroyed.  Much of its history and knowledge burned out in nuclear fire.  Buck, as a representative of the “wisdom of the ancients”, is another warning to the audience about the hubris of mankind and the nuclear arms race.
Another change: at the end of the movie, Buck declined an offer to join Earth’s Defense Directorate – presumably, he wanted to go walkabout and find himself.  Now here at the beginning of the series, Buck almost immediately joins the Defense Directorate, once he learns there’s a problem threatening his new-found home.
Besides, you have to wonder how he was going to pay his bills.  I doubt he got his back-pay from the US Air Force or NASA.
What is that problem?  Earth’s fighter pilots are taking seriously ill and are unable to fly.  The pilot Buck and Wilma saved was suffering from the first stages of the illness.  He also happens to be the son of one of the Governors of one of the Earth’s agricultural colonies.  Yes, apparently poor, beaten, defenseless Earth is now an interstellar colonial power, too.  Through an amazing coincidence, that planet is also identified to be the source of the illness, which is actually poison in the food that comes from that planet.
Naturally, Buck and Wilma, as the saviors of the Governor’s son, escort him home, giving them the opportunity for some snooping.  Duke goes along to be a foil for Buck.
On the strangely barren, desert world that provides Earth most of its food, it turns out the Governor is a clueless dupe and a bit of a nasty character.  His secret to high production of food at a low cost?  Slave labor.
You knew slave girls had to come into the story at some point, right.
Really, though, it is Kaleel, a messianic con-man (that’s redundant, right?) who is both supplying the slaves to the Governor and forming them into his loyal army.  He has set in motion a plan to poison the Earth’s fighter pilots and launch an attack on and subjugate the Earth.
Wilma is captured, and Buck and Duke must survive the harsh desert in order to save her, finally coming to an understanding, respecting each other and becoming the best of friends.  No doubt, Duke will feature in many more stories as the series goes along, providing a bit of competition for Wilma’s affections.
In the end, Buck defeats Kaleel at home, and a rag-tag group of trainees and retired pilots from Earth defeats Kaleel’s superior-sized fleet.
It’s an overly long and disjointed episode, not helped by it being a two-parter, but the story does benefit by some not-at-all-over-the-top performances from veteran actors Roddy McDowell as the Governor and Jack Palance as Kaleel.
The episode gets another famous name-check when, amongst the retired starfighter pilots is Brigadier Gordon, played by the original Buck Rogers and Flash Gordon actor from the 1930’s, Buster Crabbe.
While the story itself is a bit weak, I like the overall changes to the format, which should present many more opportunities for the series to go forward with lots of different types of stories.

255 – Space: 1999 – Another Time, Another Place

Mysterious space force does mysterious things to the inhabitants of Moonrise Alpha, especially that woman with two brains.

Ben and Eugene try to decide if they’d like to be in Another Time, Another Place perhaps instead of watching this episode of Space: 1999.

240 – Space: 1999 – Breakaway

Does everyone remember 16 years ago when Earth’s moon was blasted out of Earth’s orbit and hurled, along with the 311 residents of Moonbase Alpha, into deep space on a lonely quest?

Well, if you do, or even if you don’t, it’s time to join Ben and Eugene as they discuss episode 1 of Gerry & Sylvia Anderson’s space epic – Space: 1999.

Follow along as we “Breakaway” from the ordinary…

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