| What is Fusion
Patrol?
fusion- patrol="sshowtitle"> Fusion
Patrol was a Public Access television
program produced by a team of dedicated volunteer workers at Lone Locust Productions, who frequently struggled 36 hours a day
produce the finest in Public Access viewing and to bring a little
entertainment into peoples' lives. Their labor of love was further
hampered by the fact that their script ideas where encrypted, stored
on CD-ROM, then locked in a safety deposit box in a Swiss bank
(along with the key) to prevent anyone from ever finding out what
their super secret five (5) year story-arc was.
Fusion
Patrol originally aired on public access
in Phoenix, Arizona.
Fusion
Patrol is not currently in production;
however, old episodes are being remastered into new special edition
DVDs.
Why did they call it " Fusion
Patrol?"
It was called Fusion
Patrol for four (4) reasons:
- To the best of our knowledge, "Fusion" can't
go on patrol.
- There was no apparent reason why anyone would
want to patrol fusion.
- The names Star Trek and Babylon 5 were already
used.
- We thought it would look cool painted on
the side of Woody's Jeep, especially if we mounted a machine
gun in the back and leaped over sand dunes.
What was Fusion
Patrol about?
It wasn't about anything. We were doing
nothing long before that Seinfeld guy was doing nothing - if fact,
we feel we were much more in tune with the artistic integrity of "nothing" as
we routinely were required to produce our shows with nothing. Often,
we could be found doing nothing about nothing with nothing. Despite
that, we always had a story-arc you could count on. The format
was unrestricted, free-form, foot-loose and fancy-free. It existed
to fill a need: To fill up time on the Public Access channel and
to attempt to prevent its overrun by more of those religious or
artistic crackpots that waste our public access airwaves.
There should be room for all kinds of crackpots,
and we helped fill that niche.
Many of the cast and crew of Fusion
Patrol were
Science Fiction, British Comedy and Japanese Superhero fans. And
that tended to bias the program content.
What's this I hear about a "Cat Poem" that
got you guys some notoriety?
Ahh yes, The Cat Poem... The Cat Poem was
written by Ben Ragunton for our 1994
Annual Limp Cable Awards episode
in the Poetry Podium segment. On the surface, the poem seems
rather cruel, but in fact was part of our running theme for that
episode.
A few years ago, Phoenix was visited by a very
charming and funny gentleman known as John Anthony Blake. Under
the professional name of John Levine, he portrayed Sgt. Benton
on the TV series Doctor Who. John does a hilarious stand-up act,
in the old vaudeville style, and one of those jokes concerns a
cat who is hit by a car. The poem loosely adapted that joke for
our nefarious purposes.
While John was visiting, I had the opportunity
to spend some time with him (only days after purchasing my first
camcorder) and he gave me lots of valuable information and insight
on filmmaking.
Throughout the episode, this joke (which is
meant as a tribute to John and the damage he unwittingly did by
further inspiring me to produce Fusion
Patrol) is visited and revisited,
but Ben's poem is, by far, the most memorable and inspired manifestation
of that joke.

"Her face was one of total fear."
"...my newly made cat-glove."
|
Wow! "Super Secret Five (5) Year Story-Arc "?
That sounds so cool! Can I be your fan and have a life?
Are you asking if it is possible to have a life
and be a fan of Fusion
Patrol at the same time or are you asking
if by being a fan you can get a life?
By the tone of your question, I'm going to assume
the later, in which case the answer is an unequivocal "yes"!
(But it is going to cost you.)
Handing out lives to the lifeless isn't as
easy as developing a Super Secret Five (5) Year Story-Arc - any
old hack writer can do that. If you want a life from Fusion
Patrol,
just send a donation (no amount too large) to the Fusion
Patrol
address listed elsewhere. All proceeds will go to the Gnathonic
Church Of Joe (minus administrative fees).
Once we've cashed your check or money order,
you can hold your head high, proud in the knowledge and confidence
that comes with having a life. Your outlook will be different.
Your day to day existence will have meaning. You will be one of
the teeming masses!
Disclaimer: Our technique for imparting a life
has not met with 100% success - remember, there are no guarantees!
Who is this Blitzkrieg Groundsloth person?
Blitzkrieg (We call him 'BG') is an old pal
of mine. He was permanently scarred by Mr. Colville's analysis
of Catcher In The Rye when we were in
High School English class. Subsequently, he spent too much time
in film school, which further warped him.
Periodically, he would crawl out of the woodwork
(where he believes he is the spirit of an extinct Pleistocene mammal)
and drop a "video" in my lap. Desperate as we were for filling
a half hour, and scared of his three-inch razor-sharp claws, we
would show his films uncut and unedited.
Yes, but why penguins?
Penguins are a common metaphor for modern society,
but on Fusion
Patrol we didn't take that view.
Sure, it's easy to demonstrate how the penguin's
life mirrors the post-modernistic man's rigid, materialistic world,
but have you ever wondered what it would be like to be a penguin?
Of course you haven't, and that's why this question doesn't have
an answer.
The fact that this question has been asked
often enough to earn a place in the FAQ does however say an awful
lot about the people who are curious about Fusion
Patrol.
What was the per-episode budget of Fusion
Patrol?
During Series One, the budget was about $25.00
per episode, which included the Hi-8 video tape, the S-VHS master
tape, and my share of the pizza. There was also a one-time expense
of $7.50 for an extra S-VHS tape to dub the Hi-8 onto before editing
onto the S-VHS master.
Series Two's budget remained approximately
the same, except for the production of The
Twi-Lite Zone episode,
which had an additional $0.49 expenditure to purchase the pig-nose.
However, since The Twi-Lite Zone was held back from Series Two
and was aired as the first episode of Series Three, I suppose you
can't really include that in the Series Two budget.
Series Three, had an expanded budget of $35
per episode due to the recent addition of a $10 fee for using the
studio or editing suite at the Public Access studios.
Series Four had a whole new paradigm. (I've
always wanted to use that word ever since I was sent to Total Quality
Management brainwashing.) We did everything ourselves and so prices
dropped back down to Series One and Two levels while overall production
quality improved.
Did you have naked people on your show,
just like Doing Arizona in the Nude?
No, we had more common sense than some other shows
we could mention.
I've watched Fusion
Patrol and it was awful. What gives?
Choose one of the answers below:
- Sod off, you mean-spirited guttersnipe.
- Hey! Have you ever had your own
TV show?
- Mares eat oats and does eat oats and little
lambs eat ivy. A kid will eat ivy too, wouldn't you?
- So what do you think I am, a radio?
- Go back to school and get a degree. This
is high-brow stuff.
- We got better.
I've watched Fusion
Patrol and it was wonderful. What gives?
Choose one of the answers below:
- You were watching the wrong channel.
- I have a bridge in Brooklyn I can let you
have for a steal.
- Mares east oats and does eat oats and little
lambs eat ivy. A kid will eat ivy too, wouldn't you?
- If you're going to be a toady, go hang out
in rec.arts.sf.tv.babylon-5.
- Thanks! Tune in again next time, on another
episode of Fusion
Patrol!
How did it all begin?
I'm glad you asked that!
It all started in about 1974 when I was in
the Fourth Grade. I attended the birthday party for Scott Kosarich,
who lived down the street from me back in Tucson. His dad broke
out the Super-8 camera for the occasion and we had a great time
filming fake events at this birthday party. (Running and bending
metal bars like the Six Million Dollar Man, or making "ringers" at
horseshoes.)
I've been hooked on "filmmaking" ever since,
but it wasn't until the introduction of camcorders that things
really got hopping. In 1991, nearly 20 years later, I cashed in
my income tax return and bought a camcorder.
Luckily, I didn't have cable TV at the time,
and wasn't really aware of Public Access, otherwise, those first
months worth of tediously bad footage would undoubtedly have been
yours to share right now.
Sometime in late 1993, I tuned into Public
Access one evening when some friends were over and we stumbled
across a program called Argyle Socks. We watched the show with
the horrific fascination of people staring at a auto wreck.
Three young gentlemen (and I use the term loosely),
stood in some semi-constructed (or perhaps destructed) building.
For the next half hour, they took turns smoking, spitting and talking
to the camera in turn. After 15 minutes, one of my friends realized
that they were reciting the lyrics to heavy metal songs. It was
difficult to tell because the wind was so loud that you couldn't
hear a thing they were saying for 90% of the time.
I leapt from my chair (which was promptly occupied
by someone who had been sitting on the floor, and was just waiting
to take someone's seat when they went to the toilet) and shouted, "This
is utter crap! This bilious swill is pathetic!"
"Surely we, as socially maladjusted individuals
with higher than average intellect can produce quality programming
as far above this blight as mammals stand above the amoebae!
We can stand astride the highest mountaintop of broadcasting,
and our words will be heard ringing like some clarion call across
the fields, valleys and streams of this benighted land!"
"Our scathing wit will hold us in good stead
as we rip aside the hypocritical facade that is mankind's claim
to posterity!"
"Let's hear it lads! Who among you will stand
beside me, triumphant and victorious, and let yourselves be heard
above the rabble?!!!"
Well, none of them took me up on it, so consequently,
I got a new group of friends, and the idea died for another few
months.
One evening a few months later, David (one
of Fusion
Patrol's Triumvirate) and I sat around my house and filmed
two things:
- A skit for a new TV channel, the Pledge Break
channel. A counter piece for Public Television which was getting
more and more like an all-pledge break station - so why not do
the job right and just have all pledge breaks and no programming?
- A brainstorming session in which we outlined
ideas for a new TV show we were going to produce. In retrospect,
80% of the ideas we discussed ultimately ended up on Fusion
Patrol
After that failed start, Woody (the third member
of the Triumvirate) and I discussed doing Public Access shows until,
in December 1994, we got off our butts and filmed the first episode
of Fusion
Patrol.
In it's initial stages, Fusion
Patrol was intended
to be a combination news/comedy program. The news was intended
to be of interest to Science Fiction types. Information on upcoming
movies, TV shows, books, events and the like.
Little did we realize how mind-numbingly boring
it was to listen to somebody read about casting details about next
month's episode of Star Trek: Deep Space Nine or read a list of
books on the air.
After deciding that we weren't doing TV as
a cure for insomnia, we began to concentrate more on skits than
news, which was quite popular with the people at my work, who constantly
surprised me by stopping me and saying things like, "I was in the
kitchen cleaning dishes and my husband and kids were in the living
laughing like crazy. I went out to see what it was, and there you
were on TV talking to your car! They love your show and want to
know when more will be on."
Who'd have guessed?
And so here Fusion
Patrol stands, a monument
to a little boy's afternoon at a birthday party. Perhaps our voices
didn't (yet) ring a clarion call across the valley, but we did
not go down without a fight.
While Fusion
Patrol is, I think, finally at
rest, Lone Locust Productions continues to work on new projects.
I firmly believe that as our skills improve, and more people become
aware of us - and want to get involved, we will be producing the best Public
Access programming in Phoenix.
Come on! Quit the crap. Isn't it true that Fusion
Patrol was devised entirely as a scam to meet women and use the
ever-popular "You know, I'm a TV producer." line on them?
Many psychological studies have shown, or at
least strongly indicated, that everything done by
a male of the species is at least indirectly a scam to try to get
laid. Far be it from me to argue with science.
That said, if Fusion
Patrol was designed with
that in mind, it must surely qualify as the single most unsuccessful
women-meeting scam I've ever devised.
It could have even been a negative factor,
for it only demonstrated my more radical, anti-everything sense
of acerbic humor, rather than glorifying my more noble attributes.
That notwithstanding, I'm sure that my wife would never have stood
for it if it ever had become successful.
For you trivia buffs out there, the honor of
devising the single most unsuccessful women-meeting scam of all
time goes to Franz Mueller (1775-1821) a German ex-patriot who
took up residence in France just prior to the Reign of Terror.
Between March, 1793 and July, 1794, Mueller would unearth the decapitated
heads of French Noblemen, cleft the skull in twain, discard the
back portion, clean out the area behind the facial cavity, stitch
a lining of leather behind them, and wear them as masks at revolutionary
parties, claiming that they made "...great conversation starters."
Perhaps due to the fervor of the Revolution,
Mueller's Scam (as it later became known as) was attempted 6,438
times (or an amazing average of 13.1 times per day) with a confirmed
score of 3 sexual encounters directly resulting. Or, more digestibly,
0.04%. There is no available scientific data on the quality of
the 3 encounters.
I'm a single, beautiful, height/weight
proportionate female with an entire wardrobe of scanty clothes (and
less). I've always wondered how those "other" public access shows
choose their models, and just what has to be done for me to get on
TV?
Have I mentioned that I'm a television producer?
*SLAP*! -
the sound of my wife beating me senseless.
Has anyone ever actually seen the show
or read the web page?
Yes! Much to my surprise.
During Fusion
Patrol's run on public access,
several people approached me at work and mentioned that they'd
been flipping channels and seen me on the air. Other members of
the cast reported the same happening.
We were mentioned (not negatively) on a popular
morning radio program in the valley, and on one occasion a "fan" of
the show intercepted me at a fast food restaurant and insisted
on eating lunch with me. That was as odd experience, I must say!
As for the web page - the Fusion
Patrol page
has been bounced around from free web space provider to free web
space provider for years now. Since the major search engines tend
to reject pages from the freebie domains, like Tripod, Geocities,
etc. it is difficult to get the hits. People must be seeing us
though, for one day I ran across the web site of another public
access program in Connecticut called S.P.A.A.N.C. TV. On their
page they had a section describing "how it all began" - it lifted
word for word parts from the "How did it all begin" section of
this FAQ.
Well, they say plagiarism is the sincerest form
of flattery, don't they? Just for laughs, check out their page
on the subject here.
(Update July 2004: The S.P.A.A.N.C. TV site
is long gone - alas the ephemeral nature of the net is all too
apparent, but their original site http://www.connix.com/~toasterb/history.html
has been tucked away for posterity at archive.org's Wabac Machine
page, and you can see the original flatering, yet plageristic page here.)
Now that we've moved Fusion
Patrol's page to
fusionpatrol.com, I anticipate that we'll get more exposure.
Where did you get your ideas for Fusion
Patrol?
Well, I could tell you a tale about how a distant
ancestor of mine was a member of the Order of the Knights Templar,
founded in 1128 A.D., when Pope Honorius II declared the Templars
to be a separate order and giving them sovereignty unto themselves.
They existed until 1307 A.D. when King Philip IV of France, deeply
indebted to them and jealous of their wealth, arrested those in
France and spent the next 7 years torturing confessions from them.
Forcing several of them to admit to being in league with Baphomet
and other satanic practices. Ultimately, he burnt the leaders alive
at the stake, because they refused to confess.
As any looney can tell you, the Templars survived,
secretly, and infused themselves into the Freemasons, the Illuminati
and the Rosicrucians. That they were the keepers of ancient Atlantean
technology, and that for centuries they have been secretly pulling
the strings of the entire world in their attempt at global domination.
And I could tell you how I have in my possession
one of those secret Atlantean devices - a device which can make
satire out of thin air.
I could tell you that, but it wouldn't be a
secret then, would it? (Like the meaning of the 57 in Heinz 57
sauces.)
Instead, let's just say I watched TV, and I
made fun of the silly people.
Will Fusion Patrol be
back on the air anytime soon?
I'm not sure it ever left the air. I left a
couple Fusion
Patrol tapes over at Access Phoenix about 2 years
ago, and i think they've been playing them every week ever since.
Too bad, because 2 of the 3 tapes are really bad episodes.
That notwithstanding, we currently have no plans
to produce new episodes this year.
How can you do that? Fusion
Patrol was my only reason to live!
Have you thought of hanging out at Science
Fiction conventions? You meet a lot of interesting people that
way.
What is Enhanced Artso-Vision and
what does it mean to me?
Enhanced Artso-Vision is a new digital
process pioneered by Fusion
Patrol. With it we took old crap episodes
that we never really liked and, through the miracle of technology,
re-formed them into new crap episodes we still didn't like, but,
and this is the important part, we liked them better than
before.
Enhanced Artso-Vision is a process which
allowed us to spend weeks editing an episode rather than just the
three hours an episode originally allotted to Series One and Two.
For you, it means that each Enhanced Artso-Vision episode
of Fusion
Patrol was hand-crafted using the latest technological
marvels, assuring a quality product time after time.
So what's in store for the future?
In 1999, the house where we did principle photography
was blasted into deep space due to a freak accident involving an
experimental space drive, a piece of cold pizza and a microwave
oven. Things started getting weird from there. Check out the Fusion
Patrol: 1999 web page for more details. |